Ingenious Nature at SoHo Playhouse

Catherine Rampell isn't totally impressed with Baba Brinkman’s Ingenious Nature, saying it:

"ultimately comes off as a sort of male derivative of “Sex and the City,” but with less narrative finesse and greater insistence on scientific legitimacy"

 Read the full review: HERE

Jason Zinoman likes A MAP OF VIRTUE

Zinoman says of the 13P show, "Erin Courtney’s delicate gem, “A Map of Virtue,” is the kind of play that could be ruined in development, since its potentially disastrous affectations are also the source of its beauty."

Read the full review: HERE.

Isherwood reviews BLOOD KNOT

Charles says of the Signature Theater production of Blood Knot, "the production is more intellectually stimulating than emotionally engaging. On the surface the performances are impeccable, but a crucial spark of authentic feeling remains stubbornly absent." 

Read the full review: HERE

Isherwood on "The Broken Heart"

Charles Isherwood says that Theater for a New Audience's THE BROKEN HEART is a, "well-acted but ultimately monotonous production."

Read the full review: HERE

Brantley reviews "How I Learned To Drive"

"One of the most discomfiting love stories to emerge from the American theater has returned to New York, 15 years after its debut, with its emotional power undiluted. If anything, “How I Learned to Drive,” which won the Pulitzer Prize for drama, seems even sadder, funnier and more perceptive, now that its original shock value has evaporated."

You can read the full review: HERE